I don’t design for the static world. I design for a world in flux, where shadows shift, climates change, and buildings respond. My work lives on the threshold between structure and sensitivity.

Architecture, for me, isn’t just about form or beauty, it’s about responsiveness. I’m most drawn to the places where design touches life: where a shading system adapts to heatwaves, where a facade breathes, where a quiet detail improves comfort for someone vulnerable. Working with tools like Rhino, Revit, and Climate Studio has taught me how to give form to responsiveness, how to simulate it, test it, and refine it until it becomes part of the architecture’s DNA.

My academic path, from a Bachelor’s in Iran to a Master’s at Iowa State, has been a study in contrast: from construction sites on Kish Island to academic research in Des Moines. But it’s in that contrast that I’ve found clarity. I’ve learned how to bridge the conceptual with the practical, the artistic with the analytical. Whether I’m modeling energy behavior, mapping thermal comfort, or arranging technical drawings in AutoCAD, my question is the same: How does this serve the user?

I’m not interested in repeating what’s been done. I want to be part of the architectural dialogue that dares to ask: What if shading wasn’t just passive, but performative? What if visual storytelling in design wasn’t a presentation tool, but a way to reframe problems altogether?

This is what I bring to every project: a commitment to narrative clarity, material intelligence, and contextual empathy. I don’t want to make buildings that sit still. I want to make buildings that listen.